Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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GIuseppe Cesari Called Cavaliere arpino
Judith with the Head of Holofernes

ID: 62382

GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes
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GIuseppe Cesari Called Cavaliere arpino Judith with the Head of Holofernes


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GIuseppe Cesari Called Cavaliere arpino

Rome 1568-1640  Related Paintings of GIuseppe Cesari Called Cavaliere arpino :. | Diana and Actaeon | The Mocking of Christ | David with the Head of Goliath | Diana and Actaeon | St Clare with the Scene of the Siege of Assisi |
Related Artists:
Alfred William Hunt,RWS
1830-1896
Amaury-Duval, Eugene-Emmanuel
French Academic Painter, 1808-1885
Alexander Mann
Alexander Mann (January 22, 1853 - January 26, 1908) was a Scottish landscape and genre painter. He was a member of New English Art Club and Royal Institute of Oil Painters. Alexander Mann was born in Glasgow, Scotland on January 22, 1853. He died in London on January 26, 1908. The second son of James Mann, merchant and collector, he took drawing lessons from the age of ten with Robert Greenlees (1820-94) and then attended evening classes at the Glasgow School of Art, where Greenlees was headmaster. In 1877 he went to Paris and enrolled at the Academie Julian, and then studied under Mihely Munk? - sy and from 1881 to 1885 under Carolus-Duran. From 1883-93 Mann exhibited in London at the Royal Academy, Royal Institute of Oil Painters, Fine Art Society, New Gallery, Ridley Art Club, New English Art Club and Society of British Artists, a society that appointed James McNeill Whistler its President in 1886. At the same year he was invited to become the first Scottish member of the New English Art Club and was joined by several of his friends, notably John Lavery, Thomas Millie Dow of the Glasgow Boys and Norman Garstin. Influenced by the Hague school and by Jules Bastien-Lepage, his picture A Bead Stringer, Venice gained an honorable mention at the Salon in 1885. After a public controversy over this painting when it was exhibited at the Royal Glasgow Institute, Mann settled in England, at West Hagbourne, Berkshire, and later in the neighboring village of Blewbury, where he painted a series of views of the Downs and portraits of country people. Mann traveled extensively in Britain, paying several visits to the coast in Angus and Fife, and to Walberswick, Suffolk.






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